Collaborative Research Centres
Funding Source: Deutsche Forschungsgemeinschaft DFG
Spokesperson: Laura Kallmeyer (Department of Linguistics)
Duration: 2011 - 2020
The CRC 991 investigates the structure of representations in language, cognition, and science. It unites re-search in a broad range of areas in linguistics with philosophical projects and with research from neuroscience and from experimental psychology. The starting point is the hypothesis that there is a uniform structure of repre-sentations underlying the neural level, the cognitive level, the level of linguistic concepts and the level of institutionalized conceptions. This uniform structure is frames, where the CRC's notion of frames is inspired by the work of the cognitive psychologist L. W. Barsalou. Starting from this hypothesis, the CRC has so far addressed the following issues: the characteristics of different nominal concepts; the structure of event frames; frame (de)composition in morphologically complex words; frame-based representations of morphophonological paradigms; frame composition and its interface with morphosyntax, information structure and discourse; conceptual operations such as coercive shifts; ambiguity, vagueness, polysemy and idiomatic versus literal readings; corpus-based frame induction; grounding concepts in the sensory-motor system; fundamental issues in philosophy of science; frame based representations of prototypes; Bayesian category learning and frames; frames in the history of philosophy; and representation structures in the social cognition in rats.In the third phase, these topics will continue to play a role. Furthermore, the CRC will extend its research to the following aspects: a) frame-internal structures that distinguish different perspectives and different levels of abstraction, relevant for instance for constraints on modification, for coercion phenomena and for the relation between literal and figurative meaning; b) conceptual classification and ways to define frame types and hierarchical relations between them; c) empirical investigations of neural and cognitive correlates of frame structure and of the nature of cognitive representations reflected by social behavior in rats; d) unsupervised and semi-supervised approaches to corpus based frame induction; e) a unified theory of frame-based discourse processing.
Funding Source: Deutsche Forschungsgemeinschaft DFG
Principal Investigators: Anja Oesterhelt (Department of German Languages and Literatures)
Cooperating partners: Heidelberg University
Duration: 10/2024 - 06/2028
The aim of the research project is to work out discursive re-evaluations of homelessness that emerged in German-language literary, journalistic and scholarly texts between 1870 and 1933. Relevant figures of thought and aesthetic programs will be questioned as to how and why conceptions of homelessness can be understood as intellectual projects of emancipation. Until the end of the 19th century, the attribution of homelessness generally had an exclusionary function: it stigmatized minorities. With the turn of the 20th century, the confession of homelessness reacted to real experiences of exclusion and threat, which were sometimes re-evaluated in an astonishing way. We want to understand how this re-evaluation subjects the predetermined and persisting notions of homeland of the 19th and 20th centuries to a revision: it irritates and challenges, but also perpetuates them.
Funding Source: Deutsche Forschungsgemeinschaft DFG
Spokesperson: Julia Zakkou (Department of Philosophy), Christian Nimtz (Bielefeld University)
Duration: 2024 - 2028
The research project is part of the CRC 1646: "Linguistic Creativity in Communication" at the University of Bielefeld. The project investigates the variant of objective interpretative indeterminacy known as 'open texture'. Combining approaches from metasemantics, semantics and pragmatics, the project analyses the nature, grounds, and consequences of open texture in classificatory predicates, and it explores the foundational role of this phenomenon in the emergence of linguistic creativity.